A Plena Luz review: El Caso Narvarte [Netflix]

direction: Alberto Sail Arnaut Estrada | Scenario: Alberto Sail Arno Estrada, Pedro Garcia, Salma Abu Hareb, Christina Soto | game time: 108 minutes | year: 2022

Seven years after a high-profile quintet murder, a number of Mexican citizens involved are suing the state for negligence and complicity. Belina Luz: El Caso Narvarte is a sobering account of the grueling balance of strength and vulnerability, but the documentary also gets in the way of its disconcerting conflation of two possible motives for the killing.

On July 31, 2015, at least three men broke into a Mexico City apartment and killed five people who were present in it. Much of the documentary is devoted to fact-finding. This reveals, among other things, who the three killers are, how they made their way into the apartment and how far they can be linked to the corrupt authorities in Veracruz and, as it turns out, in Mexico City as well.

Among the victims were two homeless people who had been threatened and tracked in their country and who, a few years ago, had actively opposed the appointment of Governor Javier Duarte in the neighboring state of Veracruz. Apparently a political murder, had it not been for the presence of drugs at the crime scene and that two victims were prostitutes.

The documentary asserts, through several spokespeople – relatives of the victims and knowledgeable investigators ready to help – that the state abuses such circumstances to dismiss (politically charged) murder cases as “the uncountable (robbery) murder of a group of women.” Thus the brave citizens dealing with the defeated role of the political authorities in the Narvarti affair are discussed A plena almond Also, the deep-rooted misogyny that fuels institutional injustice.

It’s precisely at this point that the movie (inadvertently) gets confusing. When one of the speakers explains how the perpetrators acted towards the female victims, she makes it seem as if the violence used was the result of pure misogyny. This is startling, because the documentary begins precisely with the nonchalant efforts of activist photographer Rubén Espinosa Pinerell, the lone man in the murdered company, who gives evidence when Nadia Vera, one of the murdered women, was caught on the street years earlier. by secret agents.

To make matters more complicated, the idea that the murder stemmed from misogyny at the end of the documentary is contradicted by a relative: “I’m grateful to Robyn that he was there, otherwise this would have been another issue about ‘a few girls become dead.'” This statement evokes a strong double entendre. , as he painfully dismisses Robin’s death as functional, whereas the woman saying this isn’t concerned at all: she wants to make an honest point about institutionalized misogyny.

Director Alberto Sail Arnaut Estrada could have prevented much confusion by sharpening the blurred distinction between facts revealed and motives raised. Somehow it is understandable that this was only successful to a limited extent, because the documentary manages to demonstrate that the facts themselves have been systematically obscured and distorted by the ruling power.

However, an investigative documentary that presents his accusations with such urgency should be able to do more. Especially when Javier Duarte, the corrupt ruler (sadly in 2017, sentenced to nine years in prison in 2020) appears in person, right on camera, to the amazement of the aforementioned site. Unfortunately, very little is done with that, and it’s left with a number of predictable deniables that don’t get the researchers any closer to the real behind-the-scenes puppet play.

In the past few years, several (fictional) films have been released and screened in major festivals that have highlighted the systematic violations of human rights in Mexico. sin sinas details (Fernanda Veladez, 2020), not civil (Theodora Mihai, 2021) and Noche de Fuego (Tatiana Huezo, 2021) is advice for viewers seeking interactive, cinematically curated manifestations of an oppressive reality.

In itself, it’s nice to see a film in this light that, unlike the aforementioned titles, associates existing names and faces with suffering and injustice. It is a pity that A plena almond Despite his weighty political claims, he still made a neglected impression.

[b]Belina Luz: El Caso Narvarte Can be seen on Netflix.[b]

[Rating 2.5]

Leave a Comment